The table is a long, low rectangle wrapped entirely in deep capitonné, resting on a recessed wengé base. The tufting covers top and sides in a continuous grid of buttons, the fabric pulled, held and repeated with a tailored, almost athletic regularity. At one corner, that rhythm is deliberately broken: a clean triangular panel of smooth fabric and brushed brass cuts into the capitonné, exposing a different direction. This cut is the key gesture – asymmetry and focus across an even surface, the way a single decisive play can change a match. The dark base grounds the upholstered body and lifts it just enough to feel light.