The top is a multi-faceted field of contrasting marbles: deep green segments frame a central inlay of dark, white-veined stone, each area outlined by slim brass borders. Those metal lines act as precise cuts, organising the natural veining into a clear, graphic pattern – almost a mineral diagram seen in section. The outer contour is not a rectangle but a cut, irregular polygon, like a fragment extracted from a larger block. Below, the brass legs cross in an angular frame that mirrors the geometry above and lifts the heavy stone with apparent ease.